On Friday, March 13, 2026, the Museum of Contemporary Art of the Americas (MoCA-Americas), in collaboration with the Pendleton Art Center and The Annex Gallery—both rooted in Cincinnati—will mark International Women’s Day with a solo presentation by the acclaimed artist Kay Hurley, installed in the museum’s main gallery.
This past January, Leonora Teale, Executive Director of Warner Bros, visited the Museum of Contemporary Art of the Americas and expressed particular interest in the work of the Fine Arts Ceramic Center. Teale traveled from London to Miami on a professional visit and sought to gain a deeper understanding of the Center’s methodology, operational structure, collections, and ongoing activities...
The Museum of Contemporary Art of the Americas (MoCAA) announces the donation of two serigraphs and one original ink-on-paper work by Cuban artists Ivonne Ferrer, Reynerio Tamayo, and Ramón Carulla to Caritas, an organization dedicated to accompanying individuals and families facing conditions of vulnerability in South Florida...
Last Saturday, the headquarters of the Museum of Contemporary Art of the Americas (MoCAA) hosted a keynote lecture and roundtable discussion led by curator and researcher Hernán Pacururu. The event brought together artists, art critics, curators, academics, and specialists from across Hispanic America.
The Museum of Contemporary American Art (MOCAA) will present, beginning January 30, an exhibition devoted to the work of artists with diverse forms of neurodivergence, conceived as part of the museum’s ongoing commitment to inclusion, cultural accessibility...
The Museum of Contemporary Art of the Americas (MOCAA) inaugurated on January 30, 2026, a photography exhibition drawn from the Rodriguez Collection, presented in parallel with the museum’s broader program addressing diversity, representation, and contemporary artistic practice. Conceived as a complementary exhibition, the show offers a focused yet expansive reading of Cuban photography, bringing together works produced both on the island and in exile, and situating them within a broader narrative of continuity, rupture, and transformation.
The Museum of Contemporary Art of the Americas (MOCAA) inaugurated on January 30, 2026, an exhibition dedicated to the work of neurodivergent artists, conceived as part of the museum’s sustained commitment to inclusion, cultural accessibility, and the strengthening of its relationship with the community.This exhibition forms part of MOCAA’s ongoing efforts to expand spaces of participation and visibility for historically underrepresented creators, recognizing neurodiversity as a fundamental dimension of human experience and of contemporary artistic practice.
The Museum of Contemporary Art of the Americas (MoCAA), in dialogue with the simultaneous presentation at the Oscar Niemeyer Cultural Center in Goiás, Brazil, opens an exceptional platform to revisit Cuban art in exile through the Rodríguez Collection. The decision to unfold the exhibition across two distinct geographies underscores a central thread of the collection: the notion of transit, displacement, and constant reconfiguration. Cuban art beyond its borders has confronted the hardships of uprootedness while also embracing the possibilities of new contexts that have fostered alternative gazes, languages, and affinities. Exile has embodied both rupture and revelation...
Numerous people, including family and friends, attended the opening of the exhibition "Three of a Kind," organized by the Museum of Contemporary Art of the Americas (MoCAA) in Kendall, as part of the Art in the Community program. The exhibition, which took place from July 25 to August 25, 2025, featured artists Julio Figueroa-Beltrán, Helier Batista, and Luis Abreux, and was curated by the Rodriguez Collection team. At the center of this exhibition was a friendship—not a trivial or anecdotal bond, but one that had endured for over two decades among artists who, although not necessarily of the same generation or trajectory, had cultivated aesthetic and personal complicity.
Marco to Miami unfolded as both an exhibition and a cultural statement—one that underscored the significance of interregional collaboration and the vitality of Florida’s artistic ecosystems. Through an expansive array of media and styles, the show captured the creative energy of Florida’s Gulf Coast while weaving it into Miami’s rich and ever‑evolving cultural fabric.
Hosting an exhibition by the renowned Spanish sculptor Carlos Albert marks a significant milestone for the Museum of Contemporary Art of the Americas (MoCAA) and the vibrant community it serves. The inclusion of his work in our curatorial program reaffirms the museum’s commitment to excellence in contemporary art and to fostering international artistic voices whose trajectories and visions enrich the cultural dialogue within our local context.
The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
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The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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