Luis Cruz Azaceta (born April 5, 1942) is a Cuban American painter. Since the late 1970s the paintings and drawings of Luis Cruz Azaceta have been taking the moral and ethical pulse of this country. In usually large-format works, executed with highly expressive colors, Cruz Azaceta has dealt with themes of urban violence, the type of personal isolation that comes with living in a large and overcrowded city, the hellish conditions created by mismanaged government, the abuses and oppression of dictatorships and, in a number of highly affecting works done back in the late 1980s, the ravages of AIDS. His work can be seen in numerous museum collections, some of which include: The Museum of Modern Art, NY, The Metropolitan Museum of Art, NY, The Whitney Museum of American Art, NY, the Smithsonian American Art Museum, Washington, D.C., Museum of Fine Arts, Boston, the Delaware Art Museum, Museo De Arte Moderno, Santo Domingo, Dominican Republic, Museo De Bellas Artes, Caracas, Venezuela, Atrium Museo De Arte Contemporaneo, Victoria Gasteoz, Spain and Museo De Arte Contemporaneo De Monterrey, Mexico.
The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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