

The Museum's exhibition program presents solo and group shows by local, national, and international artists, prioritizing originality and striving to showcase works from a diverse array of creators. Its goal is to bring innovative contemporary art that transcends borders to South Florida and beyond, connecting communities and broadening horizons.Exhibitions are organized by Jorge Rodríguez (R10), the Museum's director and Chief Curator, and by guest curators from all visual arts. Each one runs for an average of 45 days, with shorter exhibitions of seven to fifteen days being planned in cases where certain works cannot be displayed for the usual period of time.
The "Pop Up Shows" or ephemeral exhibitions are conceived as part of a specific line of projects aimed at presenting as many local artists as possible to the community and offering them exhibition spaces throughout the regular season.



Lineages offered a multilayered meditation on ancestry, presence, and reinvention. It posed enduring questions—what does it mean to speak of lineage, of ancestry, of descent? Is it a burden, a continuity, a scar, a myth? Through photography, performance, and symbolic portraiture, the artists revealed how identity *was shaped—claimed, questioned, and transformed—*across generations.
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What began in Brazil as a bold and visionary endeavor to shed light on Cuban diasporic art now finds a new and vibrant chapter in Miami. This exhibition at the Museum of Contemporary Art of the Americas (MoCA-Americas) is not a reprise, but rather a natural and necessary evolution—a living continuation of a broader and still-unfolding curatorial project that is only beginning to reveal its full depth and potential.
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The Museum of Contemporary Art of the Americas (MoCAA) opens Cuban Art from Both Shores in São Paulo, featuring works exclusively from the Rodríguez Collection—one of the most significant private holdings of Cuban art, assembled by collector and cultural advocate Leonardo Rodríguez. Showcasing pieces by Cuban artists from both the island and the diaspora, the exhibition explores the impact of the Revolution on artistic production and the tensions between official art and free expression. Including celebrated figures such as Belkis Ayón, Carmen Herrera, and José Bedia, the show underscores the creative voices in exile and their enduring contributions to contemporary art
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From March 7 to April 11, 2025, the Museum of Contemporary Art of the Americas (MoCA-Americas) was honored to present 'Threading the Americas from North to South', a landmark juried exhibition organized in collaboration with the Fiber Artists Miami Association (FAMA). The exhibition was open to the public for nearly the entire month of March through mid-April.
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While they hail from different countries, these artists—except for one based in Bilbao—have made Miami their home, contributing to the city's dynamic creative landscape. This exhibition not only showcases their individual artistic voices but also underscores the role of abstraction as a universal language that transcends borders and traditions. Together, their works form a rich visual dialogue that reflects both shared sensibilities and diverse cultural perspectives.
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This exhibition foregrounds his unique perspective, offering an incisive glimpse into the cultural narratives of an artist singularly forged by his socio-political milieu—a narrative seldom explored in South Florida. Beyond its undeniable artistic merit, this exhibition offers an extraordinary opportunity to immerse oneself in the tangible expression of those artists who endured—and ultimately transcended—the imposition of Socialist Realism, a doctrine advanced in the last century with remarkable severity by states aligned with the Soviet bloc.
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Under the thoughtful curatorship of Marisa Caichiolo, the event highlighted the transformative power of art to connect humanity and envision a more harmonious and interconnected world. Art was presented as a catalyst for global change, resonating across boundaries and cultures, and inspiring collaborative efforts toward a brighter future. This vision echoed the ongoing work of both MoCA-Americas and the Fine Arts Ceramic Center.
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As the title suggests, these extraordinary artists explore the intersectional spaces between the real and the supernatural, where both realms coexist in a productive tension. Throughout the history of thought, humanity has sought to reconcile these two planes: from mythical cosmogonies that explain the visible world through...
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The overarching program was conceived by Nubia Abají, who was also responsible for the selection of artists participating in the MoCAA exhibition. Each artist worked from their individual vision, free from constraints and guided solely by the dictates of their soul. The collection of works collectively formed a celebration of unique voices, embodying the very spirit of The Bright Foundation and HISPAFEST.
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Under the Art in the Community program, the Museum of Contemporary Art of the Americas actively participates in the tribute to the recently deceased Manuel Comas Labrada. Starting Friday, August 30th, Miami's artistic community, along with friends and family, will have the opportunity once again to appreciate several of his pieces.
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As is customary, the prestigious Women in the Arts Program at the Museum of Contemporary Art of the Americas is proud to present to the art lovers in its community, and indeed to the entire community of artists and enthusiasts across South Florida, the latest creations from a distinguished group of female artists working throughout the state.
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The selection of works exemplifies her profound mastery of abstract painting intertwined with a deep commitment to environmental advocacy. It also reveals a resonant fusion of culture, memory, and ecological consciousness. MaiYap's artistic perspective was shaped by her upbringing in Panama, under the dual influences of her rich Chinese heritage and the vivid tropical environment.
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Latin American Rockers brings together artists from South America and Mexico. Each artist was invited by the curator to reflect on their cultural roots and to explore the spirit of rebellion, freedom, and creativity that characterizes Latin American culture. Ultimately, it is a tribute to the influence of music on art and society, seeking to connect the rhythm of rock with the visual rhythm of art.
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While her work has been part of the museum's collection for several years and has been featured in numerous group exhibitions both within our galleries and at various art institutions across South Florida, 'Women Who I Could've Been' marks her first solo exhibition in our space. Ana Albertina Delgado uses her pictorial language to express the current social debates surrounding diversity, emphasizing the role of women in society.
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The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
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The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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