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Pablo Caviedes beside his work Amantes de Sumpa at MoCAA
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November 14, 2026

Artist Pablo Caviedes Donates a Work to MoCAA

By Rodriguez Collection Team

Ecuadorian artist Pablo Caviedes (Cotacachi, Ecuador, 1971) joins the roster of creators who make up the group exhibition "El discurso infinito," currently on view at the Museum of Contemporary Art of the Americas (MoCAA), a project organized jointly by the NOMADE International Biennial and MoCAA Florida.

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Amantes de Sumpa (2020), silk print by Pablo Caviedes, 70 x 200 cm, donated to the Rodríguez Collection

As part of this institutional rapprochement, Caviedes decided to donate a work from his personal production to the Rodríguez Collection, the heritage holdings that constitute one of the main foundations of the Museum's collection. The piece, made in 2020 and titled "Amantes de Sumpa," was created using the silk printing technique and measures 70 × 200 cm.

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Pablo Caviedes and Ivonne Ferrer holding art books

This incorporation of Caviedes's work represents a new contribution to MoCAA's artistic heritage and strengthens the ties of collaboration and cultural exchange between the institution and Latin American creators.

Pablo Caviedes and Ivonne Ferrer looking through an art book

Pablo Caviedes is an Ecuadorian visual artist based in New York, whose multidisciplinary production encompasses painting, drawing, printmaking, sculpture, installations and digital art. Trained at the Daniel Reyes Institute of Visual Arts in Ecuador and at the National School of Fine Arts in Paris, in 1994 he received the Paris Prize, a recognition that boosted his international projection. His work explores themes such as cultural identity, migration, displacement, memory and the relationship between human beings and nature, incorporating symbolic, shamanic and animist elements. Through projects such as On the Map, he reflects on the contributions of immigrant communities to the construction of American identity. His career includes exhibitions in the Americas and Europe, consolidating him as a representative figure of Latin American intercultural artistic dialogue.

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