


The institution accompanying the launch of El corazón del cuidador treats Spanish as a cultural practice, not as a school subject.
This Saturday, August 22, from 11:00 a.m. to 5:00 p.m., the Museum of Contemporary Art of the Americas (MoCAA) hosts the presentation and signing of El corazón del cuidador. El arte como puente / The Caregiver's Heart. Art as a Bridge, by Yamilet Uzcanga Trujillo. Opening remarks will be delivered by Edith Monge Silva, director of Languages Foundation, one of the institutions backing the project. She is worth pausing over, because her presence on Saturday's program goes well past protocol.
Languages Foundation is a Miami-based nonprofit devoted to the development and encouragement of language in its varied expressions — written, oral, musical, artistic — with particular emphasis on Spanish within Florida's Latino community. The wording repays attention. Language appears there in the plural and in several registers at once, so that writing, music, and image are understood as versions of a single impulse. This is exactly the ground on which a book about art as a bridge finds its natural interlocutor.
The foundation sustains that principle through concrete programs. Its Adult Program offers intensive workshops and activities designed to strengthen Spanish in the United States through interactive practice, with the declared aim of keeping a linguistic inheritance alive and fostering continuous learning of the language. Alongside it runs Dímelo en Español, a campaign producing titles and short pieces for young audiences, and a series of brief documentary videos. One of them, devoted to Miguel de Cervantes Saavedra, was filmed at the Books and Books bookstore in Coral Gables, with Mallorcan artist Miquel Salom contributing the visual work. A foundation that calls on a visual artist to speak about Cervantes has already settled what it means by language.

At its head stands Edith Monge Silva, whose trajectory accounts for much of that traffic between letter and image. A graduate in Social Communication from the Universidad Católica Andrés Bello in Venezuela, she is the author of Artistas. Imagen y palabra, Latin American Artists, and Artists At The Top, of the essay El poder curativo de la mujer, and of the novel Tinta blanca, as well as a co-founder of Aceituna Editorial and of Hispafest Festival de Arte Hispanoamericano. As an editor she has actively promoted the presence of art in public space and has organized exhibitions that interweave distinct artistic disciplines.
El Universal
That profile — editor, author, cultural organizer — is what comes to the service of Uzcanga Trujillo's book this Saturday, on a day MoCAA shares with the opening of Eclectic, by Venezuelan painter Freddy Trujillo. Two rooms, two formats, one shared conviction: that art and the written word exist to accompany.
Museum of Contemporary Art of the Americas (MoCAA)
12063 SW 131st Ave, Miami, FL 33186
Saturday, August 22, 11:00 a.m. – 5:00 p.m. | info@mocaamericas.org
